Introduction. The Secularization of the Lyric: The End of Art, a Revolution in Poetic Language, and the Meaning of the Modern Crowd
Part I: Edgar Allan Poe
1. Poe’s Post-Humanism
2. Poe and the Origins of Modern Poetry: Tropes of Comparison and the Knowledge of Loss
Part II: Walt Whitman
3. Whitman’s Poetics: Metonymy and the Crowd
4. Whitman and Democracy: The “Withness of the World,” the Reader, and the Fakes of Death
Part III: Emily Dickinson
5. Emily Dickinson: The Poet as Lyric Reader
6. Dickinson’s Dog and the Conclusion
Acknowledgments
Notes
Index