A new look at a beloved classic film that explores the philosophical dynamics of Casablanca
Celebrating its eightieth anniversary this year, Casablanca remains one of the worldâs most endurÂingly favorite movies. It won three Academy Awards for Best Picture, Best Director, and Best Adapted Screenplay. It is still commonly quoted: âWeâll always have Parisâ and âHereâs looking at you, kidâ And who can forget, âYou must remember thisâŚa kiss is just a kiss.â Yet no one expected much to come of this little film, certainly not its blockbuster stars or even the studio producing it. So how did this hastily cranked-out 1940s film, despite its many limitations, become one of the greatest films ever made? How is it that year after year, decade after decade, it continues to appear in the lists of the greatest movies ever produced? And why do audiences still weep when Rick and Ilsa part? The answer, according to Casablancaâs Conscience, is to paraphrase Rick, âItâs true.â
Much has already been written about the film and the career-defining performances of Bogart and Bergman. Casablanca is an epic tale of love, betrayal, and sacrifice set against the backdrop of World War II. Yet decades later, it continues to capture the imagination of filmgoers. In Casablancaâs Conscience, author Robert Weldon Whalen explains why it still resonates so deeply. Applying a new lens to an old classic, Whalen focuses on the filmâs timeless themesâExile, Purgatory, Irony, Love, Resistance, and Memory. He then engages the fictional charactersâRick, Ilsa, and the othersâagainst the philosophical and theological discourse of their real contemporaries, Hannah Arendt, Dietrich Bonhoeffer, and Albert Camus. The relationships between fictional and historiÂcal persons illuminate both the filmâs era as well as perennial human concerns. Both the film and the work of the philosophers explore dimensions of the human experience, which, while extreme, are familiar to everyone. Itâs the themes that resonate with the viewer, that have sustained it as an evergreen classic all these years.