We Remember 9/11

"Vulnerable as we are to daily newsflashes on breaking crises of all kinds, what a profound relief not just to have the great story of New York After 9/ll but to find it rendered in Opotow and Shemtob’s book with such extraordinary insight, complexity, balance, critical awareness, authority, and vision.

Analyzing how New York responded to 9/11, the book’s contributors from a variety of disciplines and vantage points illuminate the complex interactions and challenges involved in bringing a vast metropolis to recovery.

Our magnificent city was struck at the heart; the long and short of its way back is a story—of cooperation and conflict, errors and redress, resilience and resourcefulness— that we’ve been needing to know, not just to heal from the collective trauma, but to evaluate best practices in responding to future dangers and disasters."—Jane Mushabac, author of A Short and Remarkable History of New York City

New Books for Fall 2019

CALL FOR PAPERS!

Reporting World War II: American Correspondents at the Front-Lines

The Contemporary History Institute (Ohio University), The Institute on World War II and the Human Experience (Florida State University), and Stars and Stripes are inviting papers for a symposium at the Intrepid Sea, Air & Space Museum in New York City on April 23-24, 2020 titled: “Reporting World War II: American Correspondents at the Front-Lines.” We are especially interested in newspaper reporting, magazines, and soldiers’ newspapers, but we would also consider scholarship on radio reporting and other forms of media. Participants should be prepared to present a paper at the symposium and provide a roughly 8,000-word chapter contribution for a planned book volume with Fordham University Press by the end of summer 2020 (jointly edited by G. Kurt Piehler and Ingo Trauschweizer). Themes and issues can be comparative in nature, but some aspect of every paper/chapter should focus on American media. . .

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AWARD WINNING TITLES

By turns hilarious and damning, this provocative collection evokes memories of summer camp, reframes nostalgia, and activates Camp sensibilities. Kidd, Mason, and their contributors blend queer pedagogy, critical theory, and creative nonfiction to create a memorable work of scholarship.

Midden is a poetic excavation of loss, a carving of the landscape of memory, and a reckoning with and tribute to the ghosts we carry and step over, often without our even knowing it.

Cathay not only enables us more fully to appreciate a canonical work of Modernism but also resituates the art of Pound’s translations by recovering the historical circulations that went into the making of a multiply authored and intrinsically hybrid masterpiece.

Through an interdisciplinary cultural approach, Pre-Occupied Spaces finds traces of globalization in a past that may hold interesting lessons about inclusiveness for the present.